Journal

Donald G. Longcrier, Artist Journal/Blog

FISH 2012: Artist's Statement

Native Trout of the American West

The Native Trout paintings represent a discussion of some of the American West’s most pressing contemporary issues, the first and foremost of which, will always be water and its management. One cannot speak about the West without discussing public land and private ownership, environmental and economic concerns such as mining and irrigation and farming arid land.

The native trout species I have chosen to paint were once common to most rivers and streams from the Pacific Ocean to the Rockies, from Mexico to Canada. Now, they number a fraction of their original population and many are only to be found inhabiting tiny, isolated headwater streams in small areas of their original range. Where some of these fish once grew to legendary size, Lahontan cutthroat trout were reported to reach sixty pounds, many now survive as six to ten inch specimens.

Wild, native trout populations are indicative of the environment in which they live, and reflect the choices we have made and will be making regarding the use of these watersheds. Native trout habitat has been affected by mining, grazing, farming, and irrigation needs. Blocked by dams, spawning runs have ceased. Many native species have been displaced by the introduction of non-native species.

Recovery efforts supported by, private organizations, government, and tribal agencies are underway throughout the region. 

A simpler explanation of the paintings might have to do with the fact that research for the work requires me to spend as much time as possible, chasing after wild native fish in remote but untouched locations. Regrettably, the time spent on research is never enough. But, fishing is all about hope.

 

Native Trout of the American West

Native Trout of the American West or the big fish paintings!

 

A few years ago, one of my large-scale, encaustic paintings of native trout was installed in the contemporary art section of an exhibition of Western Art.  Someone asked me, "What the hell are you doing in an exhibition of Western Art?" I think the answer to that question lies at the heart of the paintings from Native Trout of the American West at the Nona Jean Hulsey Gallery, Norick Art Center at Oklahoma City University in 2007.

These paintings represent a discussion of some of the West's most pressing contemporary issues, the first and foremost of which, will always be water and its management. One cannot speak about the West without discussing public land and private ownership, environmental and economic concerns such as mining and farming arid land.

 

Golden Trout Creek Golden Trout, Oncorhynchus mykiss aguabonita

Acrylic and encaustic on wood, 54" H. X 108" W., 2007

 

The native trout species I have chosen to paint were once common to most rivers and streams from the Pacific Ocean to the Rockies, from Mexico to Canada. Now, they number a fraction of their original population and many are only found inhabiting tiny, isolated headwater streams in small areas of their original range. Where some of these fish once grew to legendary size--Lahontan cutthroat trout were reported to reach sixty pounds--many now survive as six to ten inch specimens. 

Wild, native trout populations are indicative of the environment in which they live, and reflect the choices we have made and will be making regarding the use of these watersheds. Native trout habitat has been affected by grazing, farming, and irrigation needs. Blocked by dams, spawning runs have ceased. Many native species have been displaced by the introduction of non-native species.

Fortunately, recovery efforts supported by, private organizations, government, and tribal agencies are underway throughout the region.

 

Coastal Rainbow Trout, Oncorhynchus mykiss irideus

Acrylic and encaustic on wood, 54" H. X 108" W., 2007

 

A simpler explanation of the paintings might have to do with the fact that research for the work requires me to spend as much time as possible, chasing after wild native fish in remote but beautiful locations. Regrettably, the time spent on research is never enough. But, fishing is all about hope*

 

Native Trout of the American West, Nona Jeane Hulsey Gallery,

Norick Art Center, Oklahoma City University, Installation view, 2007

 

 

 

Colorado River Cutthroat Trout, Oncorhynchus clarki pleuriticus

Acrylic and encaustic on wood, 54" H. X 108" W., 2007

 

 

 

Lahontan Cutthroat Trout, Oncorhynchus clarki henshawi

Acrylic and encaustic on wood, 54" H. X 108" W., 2007

 

 

 

Westslope Cutthroat Trout, Oncorhynchus clarki lewisi

Acrylic and encaustic on wood, 54" H. X 108" W., 2007

 

 

Native Trout of the American West, Nona Jeane Hulsey Gallery,

Norick Art Center, Oklahoma City University, Installation view, 2007

 

 

Apache Trout, Oncorhynchus gilae apache

Acrylic and encaustic on wood, 54" H. X 108" W., 2007

 

*From: Native Trout of the American West, Donald G. Longcrier, 2007

The Trout Drawings and Paintings

Rio Grande Cutthroat Trout, Oncorhynchus clarki virginalis

16" H. x 20" W., Watercolor and Prismacolor pencil on Museum Board

 

The Trout Drawings/Paintings refer to scientific illustrations and specimen drawings used for taxonomic identification used in common practice in fisheries biology and angling literature. Representative individuals are presented facing left referring to the fact that measurements are taken along one side and illustrate basic morphological characteristics of the species (or subspecies in many cases). Brighter colored specimens are males shown in spawning colors.

Whereas the genesis for the trout drawings and the larger encaustic trout paintings can be traced to my studies in zoology and early work in fisheries biology, my interest in trout in particular, and fish in general, can be directly attributed to an interest in fly fishing and my subsequent environmental work related to clean water.

 

Coastal Rainbow Trout, Oncorhynchus mykiss irideus

16" H. x 20" W., Watercolor and Prismacolor pencil on Museum Board

 

The majority of the smaller trout drawings have been sold to raise funds to support the 89er Chapter of Trout Unlimited and the organization's efforts to protect, restore, and enhance the cold-water fisheries of Southeastern and Eastern Oklahoma. Information on the the work of the 89er Chapter of Trout Unlimited may be found on the chapter website: www.89ertu.org

Recently, several trout drawings have been sold to help fund the work of Reel Recovery, a national, non-profit organization that provides fly fishing retreats for men diagnosed with cancer. Information on the work of Reel Recovery may be found at: www.reelrecovery.org

The images are watercolor and Prismacolor pencil on 100% acid-free museum board. The measure 16" H. X 20" W.

 

 

Brook Trout, Salvelinus fontinalis

16" H. x 20" W., Watercolor and Prismacolor pencil on Museum Board